The use of acoustic emissions technique in the monitoring of fracturing in concrete using soundless chemical demolition agent
DOI:
https://doi.org/10.3221/IGF-ESIS.50.42Keywords:
Acoustic emissions, Fracture, Soundless chemical demolition agent, Concrete, Non-extensive statistical physics, Tsallis entropyAbstract
Soundless chemical demolition agents (SCDAs) have been used during the last decades in the demolition of boulders and concrete structures as well as in open-surface and sub-surface rock excavation, as an alternative to the use of explosives posing safety risks. However, the knowledge of the governing fracture mechanisms in brittle materials is rather limited. In the present work, we thoroughly investigate the use of the acoustic emission technique to study the SCDA-induced fracture process in concrete blocks. Energy-related features and waveform parameters of the recorded AE activity are correlated to the fracture mode of the concrete where a quasi-static behavior is observed. Monitoring of the progressive fracture is also achieved by the 3D localization of the AE sources. The distribution of the inter-event times of the recorded hits is further analyzed in the context of non-extensive statistical physics.
Downloads
Downloads
Published
Issue
Section
Categories
License
Copyright
Authors are allowed to retain both the copyright and the publishing rights of their articles without restrictions.
Open Access Statement
Frattura ed Integrità Strutturale (Fracture and Structural Integrity, F&SI) is an open-access journal which means that all content is freely available without charge to the user or his/her institution. Users are allowed to read, download, copy, distribute, print, search, or link to the full texts of the articles in this journal without asking prior permission from the publisher or the author. This is in accordance with the DOAI definition of open access.
F&SI operates under the Creative Commons Licence Attribution 4.0 International (CC-BY 4.0). This allows to copy and redistribute the material in any medium or format, to remix, transform and build upon the material for any purpose, even commercially, but giving appropriate credit and providing a link to the license and indicating if changes were made.